Festival Dia de Muertos

The screen opens on a plain face waiting for color, and the first tap lays a white sugar-skull base across the cheeks and forehead. Festival Dia de Muertos starts here, since that base tone carries through every stencil and flower added afterward. A warmer ivory base instead of stark white makes the marigold accents added later sit softer against the skin.

The tool rows split into face paint, hair, and nails, each stacked with pieces that layer on top of one another. Face paint holds a black eye-mask ring, a stitched-lip outline, and a scatter of dot freckles across the nose. The hair panel swaps in a braided crown, marigold flower clips, and a loose side braid threaded with ribbon, while the nail rack offers glossy black polish, orange ombré tips, and tiny painted skull charms. A flower clip sits on top of the braid instead of replacing it.

This makeover game leans harder on hair and nails than most salon rounds, since the marigold and skull motifs have to repeat across three separate zones for the look to hold together. A finished round frames the face, hair, and hands together in one still portrait, saved as the final look instead of tallied into a score.

Working in order helps: pick the base tone before touching the stencils, since the shade underneath shows through the black outlines later. Matching the marigold clip color to the nail polish ties the whole face together, and the dot freckles look sharper added last, once the bigger paint shapes are already in place. The stencil brush is easy to miss under the color swatches, and it holds the finest lines in the set.